The Breeders are back (and I’m glad)
In the late 1980s, there used to be a record store in the space next to CBGB, and as a voracious consumer of all things new, I used to hang out there quite a bit. The guy who worked behind the counter (and also did all the buying for the store), was named Ned Hayden (leader of the sadly neglected Action Swingers).
One day in late 1987, I walked into the store and saw Ned putting up a poster that read “Death To The Pixies”.
“Who are the Pixies?” I asked Ned.
“Some new band on 4AD. We just got their EP in today. Have a poster.”
So I took the poster and bought the record. That evening, when I put it on, I was stunned. It was one of those records that comes out of nowhere and just says it all in about 20 minutes. Even though the Pixies were American, the record was import-only, so I wondered whether anyone else in the US would ever discover this cool band.
A few months later, I got to see The Pixies open for Throwing Muses at a club in Hoboken, New Jersey called Maxwell’s. The place was packed, and even though the Pixies only release was that import EP, the audience was already on their side.
One of the things I remember most from that show was the beatific smile of the bassist/vocalist Mrs. John Murphy. Her demeanor was so incredibly un-punk that it was disarming. In between songs, she told the audience about their upcoming debut LP, and talked about the breasts of the model that would appear on the front cover. In an amazing band, Mrs. John Murphy was a front person waiting to emerge, standing in the shadow of Black Francis.
A couple of years later, Kim Deal (who had dispensed with John Murphy and her stage name), Tanya Donelly from Throwing Muses, and a couple of their friends formed a side project called The Breeders. Their first LP, “Pod”, was an indie hit, and more than a few fans couldn’t wait for them to become a real touring act… but the Pixies were still in the way.
When the Pixies finally broke up (and I’m not celebrating that or anything, I loved the Pixies, too), The Breeders had a chance to become a real band. Tanya was not available, because she was now leading Belly, but an even cooler wrinkle was the addition of Kim’s twin sister Kelley to the lineup.
The Breeders history has been patchy - there have been breaks here and there for both personal and professional reasons - but right now, in the Spring of 2008, they’ve just released a brand-new album called Mountain Battles - and it’s a worthy addition to their canon.
They were scheduled to play the El Rey theater in Los Angeles this past week - but because a stipulation of their contract with the Coachella people, the show was moved to the Glass House in Pomona. Here’s a brief video of Kim singing “Overglazed” (as usual, sorry about my crappy camera work).
And here’s an audio clip I recorded at the show of the Deal sisters duetting on “Here No More”
Here No More - Live in Pomona [2:25m]: